Performance anxiety is basically a fact of life. I’m on my second performance degree right now, and just started my second decade as a performer, and I still get some pre-performance electricity going even for “small” performances. However, just because you’ve got some adrenaline going doesn’t have to mean you feel sick or terrified. It’s all a matter of perspective. Here’s how to feel pumped instead of petrified when you…
Read More5 Ways to Prepare for Important Auditions
Auditions are one of those things that no musician will ever be truly finished with. Unless you’re Renee Fleming, you’re going to have to audition for stuff. So with that in mind, here’s how to prepare for an audition: Know your music. Duh. But seriously, know it forwards and backwards and in your sleep. So, know your music’s history, know its context, know its composer’s favorite color. The better you…
Read More4 Ways to Create a Supportive Environment
There’s a connecting thread that runs through all of my experiences in music. Basically, it is MUCH more fun to be a part of a group that’s filled with positivity. However, a lot of musicians, instead of building each other up, become a little catty about people they don’t like. I wrote about this recently, in a post about what NOT to do at rehearsals, and I’ve been noticing the…
Read More4 Ways to Tell If You Should Turn Down a Gig
I’ll be completely honest: I’m relatively new to the world of paying gigs. My undergrad was not in a good location for classical performance, so pretty much all of my performances were unpaid, just to get something for my CV. However, now that I’m in a new city, I have MANY more performance opportunities, as well as a ton of unpaid gigs that just seem super fun. How’s a musician…
Read More5 Important Rules for Rehearsals
I’m in a new city, with a new performance crowd, and in a bunch of new ensembles. It has opened my eyes to some habits that I had started to ignore at my undergrad. Stuff I had started ignoring as just character traits of people I’d performed with for years now leaps out as unprofessional behavior. A lot of it comes from adults long out of school, too, so keep…
Read MoreHow to Practice In Spite of Everything
Anonymous asked: I’m preparing for college auditions right now and I have a problem that is even more relevant now. I want to be practicing a lot more but I have always had a problem with practice because I am constantly tired. My doctor can’t tie it back to an actual cause, and has suggested some lifestyle adjustments. While this helps a bit, practicing my instrument always makes me really…
Read MoreHow to Meet a New Music Teacher
Something I didn’t realize when I was younger was how often I was going to study music under someone new. If you’ve played music for more than a year, you’ve probably already had at least one “new” musical mentor, either as a new teacher, an additional teacher, or a new director. And every time, it’s stressful until I figure out what the new person is like. Every teacher is different,…
Read MoreWhat To Do When Music Shouldn’t Be Your Career
Something that a lot of prospective music majors discover in their first year or two at college is this: a music career isn’t for everyone. Music is mentally, emotionally, and physically demanding. It is incredibly competitive. There is absolutely no guarantee that you’ll ever “succeed” in a performance career, no matter how good a player you are. You might lack the stamina or dedication or sheer cussedness required to audition…
Read More5 Tips to Have a Successful Jury
First seen on my Patreon! Juries are upon us. It is the time of panicking freshman, smug recitalists (because they don’t need to perform a jury), and general Stress in the music department. However, that doesn’t need to be the case. Juries are not a horrible trial placed upon innocent musicians – instead, they are a celebration of the hard work and learning you’ve done this semester. Here’s how to…
Read MoreHow to Handle a Bruised Ego
First seen on my Patreon. Musicians have to walk a careful line. On the one hand, it takes a certain amount of ego to believe that you can and should get up and perform regularly. On the other hand, the ego is a terribly fragile organ, easily bruised when watching performances by, say, someone two years younger but much more accomplished than yourself. It stings, and that’s okay. Here’s how…
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