4 Ways to Use Perseverance to Get What You Want

perseverance woman hands

Perseverance is probably one of the most important skills for musicians artists creative people ANYONE to have. And when I call it a skill, I mean it. It’s not a trait. There isn’t a magic switch that makes some people “more perseverant” than others. There’s simply a difference between how people rank their priorities, and how much they’re willing to do to actually make their desires a reality. A more…

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How to Make a Schedule and Stick to It

I have a Patreon! Please consider supporting this blog. The question I received recently from tumblr user @life-of-mack was this:  “How to make a practice/work/school schedule and stick to it?” That’s certainly a tough venture, sometimes.   The short answer? Discipline.   If only it were so simple, right? If the only reason we don’t stick to schedules was because we didn’t realize it takes discipline to do so, then…

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How to Meet a New Music Teacher

Something I didn’t realize when I was younger was how often I was going to study music under someone new. If you’ve played music for more than a year, you’ve probably already had at least one “new” musical mentor, either as a new teacher, an additional teacher, or a new director. And every time, it’s stressful until I figure out what the new person is like. Every teacher is different,…

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5 Tips to Have a Successful Jury

First seen on my Patreon! Juries are upon us. It is the time of panicking freshman, smug recitalists (because they don’t need to perform a jury), and general Stress in the music department. However, that doesn’t need to be the case. Juries are not a horrible trial placed upon innocent musicians – instead, they are a celebration of the hard work and learning you’ve done this semester. Here’s how to…

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How to Tour a School

The following article is taken verbatim from my book, How to Music Major: Surviving the College Search! It’s on Amazon and all other places ebooks are sold. There’s lots of stuff in it, drawing on my own experience and my friends’ knowledge of getting into and succeeding at the whole College Dealio. If you have topics that you’d like to see included in the next book, What to Expect Freshman…

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What to Bring to Competitions

There’s a big statewide competition coming up for me and members of my studio, and all of the freshmen are starting to get jittery. Recently, one asked me, “Like, what are we even doing? What do I need to bring? Help!” I had the same panicky feeling my freshman year (and honestly still do, shhhh). Luckily, I now mostly know what I’m doing, since I’ve been around the block a…

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Efficient Practice Tips

To practice effectively, you need to be able to do two main things: prioritize, and know when you’ve lost focus. A lot of performance majors feel overwhelmed at the sheer amount of music they need to learn, but that doesn’t need to be the case. If you practice efficiently, you’ll find it much easier to learn all of your music quickly. Don’t dive into the music and try to play…

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What’s a Jury?? Help

Juries: the looming cloud at the end of every semester. Freshmen are told about them, and upperclassmen complain and warn about them. But what, in fact, are they? Who knows? I do. I know. I’m sorry, I tried to be dramatic there, and it didn’t – anyway. A jury is basically your final every semester for your private lessons. Every instrument is different, but for essentially every one, you will…

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How to Start a Performance Group

One of the things people think about when they imagine the college music experience is participating in small performance groups. They think about rock bands, chamber music groups, quartets, all sorts of stuff. However, at least at my school, there are far fewer groups than there are students. This is despite the fact that the first advice pretty much any music graduate will give is to perform in and work…

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How to Display Professionalism

As someone who’s spent a decent chunk of her life in and around stage stuff, I’ve spent a long time getting exposed to various types of performers. It’s to the point where I can tell how long someone’s been performing and how seriously they take it from how they react when the director starts talking at the beginning of rehearsal. And boy howdy, have I learned to appreciate the people…

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